Andrew Wyeth
(1917--2009) was one of the first noted in fashion American artists. His most famend grind is "Christina's Existence," which he created in 1948. It depicts a woman in a pink dress mendacity in a nature as she leans toward a distant farmhouse and barn. The viewer cannot contemplate her face. Famed for realistic paintings of rural 20th century American duration, Wyeth developed a style and techniques that establish him except other artists of his day.
Egg Tempera
Wyeth used Ovum tempera gloss for most of his most noted paintings. Before Everyone depiciton session he would prepare his paints using unprepared Ovum yolk, vinegar, aqua and pure powdered vegetable or mineral pigments. After creating an under-painting of blocks of colour, he would apply layers of Ovum tempera. These layers acted agnate translucent glazes, combining to contour specific colours. They and if a Profundity of colour that is nearly impossible to accomplish with acrylic or oil paints.
Realism
Wyeth painted in a highly realistic style that has been referred to as magic realism because of its almost dreamlike quality. He was able to accomplish this appearance by carefully arranging and composing the elements of his art. He also paid microscopic attention to details. For instance, he would paint every blade of grass as it appears in real life. However, the same grass could also evoke a feeling of unease because of the artist's contrasting interplay between direct light and shadow.
Dry Brush Technique
He would use an extremely light touch, and the details that he painted this way look as though they were drawn and not painted.
Asymmetrical Elements
Wyeth went against the accepted rules of composition and created works that were asymmetrical.Andrew Wyeth is known for is his dry brush technique. When using this method, he would apply a very small amount of damp paint to a brush, using no water or medium to dilute the paint. He would then painstakingly create minute details in his paintings with the very tip of a brush.As a result, elements of the paintings do not guide the viewer's eye to any particular focal point. This makes the viewer feel a slight discomfort. It also creates a sense of loneliness and alienation. This technique of making objects asymmetrical was effectively used in "Christina's World."
