Copic markers
are crack kind Craft markers that are fleet drying, dual ended and nontoxic. Because vellum is transparent, you can blend colors by using a color on one side of the paper and a different color on the opposite side.
Card Stock
Card stock is somewhat more versatile than other kinds of paper. It is absorbent, and the thicker the paper is, the more absorbent it will be -- and the more feathering you will see on your artwork.Confident types of paper are prepared specifically for markers. These kinds of paper are typically thin and smooth, with a coating that prevents ink from bleeding washed-up to the other side of the paper. That coating income that there is also brief absorption, so marker paper uses less ink and takes fewer strokes than absorbent paper, such as card inventory. As a completion, trying to custom many layers of colouring regularly won't endeavor able-bodied.
Glossy Paper and Vellum
Although glossy paper and vellum are colorful paper products, they handwriting some similarities. Both are exact smooth and nonabsorbent; the dearth of absorbency mode you end less ink, and in many cases, this results in colours lifetime lighter. It is else onerous to blend colours on these kinds of paper. When working with glossy paper, you'll pride that it's immensely ball-buster to pennies something you've already lay down on the paper. You as well don't have to worry about "feathering" -- ink spreading out across the paper -- so lines will be very sharp. They come in 310 colours, are refillable, fit into a appropriate airbrush method and corner replaceable nibs. Artists and designers worldwide can capitalization Copic markers artistically in many ways. The type of paper to operate with Copic markers is principally a business of preference; contrary kinds of paper Testament assemble differential results.
Marker Paper
Card stock for Copic markers is usually thin and smooth with tight fibers. Use this kind of paper to blend and layer colors and to apply advanced coloring techniques. Copic markers will bleed through to the backs of most kinds of card stock, which may be bad or good depending on your preferences.
Other
Bristol board may work well for illustrators who prefer paper that is heavy and smooth. Thick fine art paper, such as acrylic paper, can result in brighter colors than other papers, but are too absorbent for detailed work. You can use Copic markers on a variety of mixed media surfaces; however, it isn't recommended that you use Copics on fabric that is meant to be worn. Also, you can use cheap paper, such as ordinary printer paper, if you're able to draw while taking into consideration how much it will bleed and feather.
