Keyframe your promenade cycle animation by roughing outside lasting pencil sketches of your attribute in alertness one frame at a generation.1. Generate the keyframes with a Disinfected stage of paper secured with clips or masking tape to your portrayal surface, preferably a bright table.2.
Figure the frames to amass them in assortment. Everyone frame is one position of the complex, situated in duration and room, buttoned up the Success of the circuit cycle. Concentrate on true target positioning and limb placement to author the full hike cycle series of frames.
Instructions
Utilize a pencil to star and point away the border of the frame on the paper.
3. Section the frame directly in half with a pencil wrinkle straight down the centre of the frame.
4. Decide how many frames Testament comprise the entire animation constitutional cycle. For instance, whether you include 15 frames for the adequate cycle, so that frames one and 15 are almost selfsame, frame 15 brings the complex back to the starting mark of the walking motion.
5. Sketch out the basic lower body skeletal structure of the animation character in the starting position of the walk cycle. Position your character so the pencil line bisects the frame and bisects the character. This ensures that the character's placement in each frame will be identical.
6. Add the hip joints, knee joints, ankle joints and indicate a contact point, i.e., where the striding foot makes contact with the ground surface. Number this frame as "Keyframe 1."
7. Place a clean sheet on your table and secure it as in Step 1.
8. Mark out the frame and bisect it as you did in Steps 3 and 4.
9. Sketch out the lower body skeletal structure of the animated character in the second position of the walk cycle's sequence of movement. Label this frame "Keyframe 3."
10. Repeat steps 7 though 9, numbering the successive keyframes "Keyframe 5," "Keyframe 7," "Keyframe 9," until you reach "Keyframe 15." The even-numbered keyframes are called "in betweens" and they come later, during the cleaning up phase of the animation process. They are not part of the initial keyframing process.
11. Pencil Keyframe 15 to look almost identical if not exactly like Keyframe 1. This brings the animated character back to its starting point in the walking motion and ensures that the movement of the character is a continuous, seamless motion always centered in the frame.
12. Go back and add the animated character's upper body. Pay attention to its head and arm placement as you did its leg joint placement in the lower body for each frame.
