Florence is the cradle of Italian renaissance Craft.
The Italian Renaissance began in Florence in the installation of the 15th century. The period Renaissance comes from the French chitchat for rebirth. This space was a date of upheaval in a figure of domains, including representation and sculpture, and represented a rift from the artistic traditions of the Centre Ages. The artists and sculptors of the Italian Renaissance---Masaccio, Michelangelo, Raphael and Leonardo da Vinci---looked to the classical Craft of full of years Greece and Rome for inspiration. The Italian Renaissance was a chronology of extreme artistic productivity, and many of the works created during this room are the pride of world-class museum collections.
Perspective and Geometry
One of the leading characteristics of the Italian Renaissance is the advantage of one-point perspective in representation to administer the phantasm of three-dimensional period. Objects and figures in the foreground drop in in a superior way, and ergo closer to the viewer, than those in the background. Renaissance artists as well used geometry in the Essay of their paintings. Regularly figures or groups of figures are laid elsewhere in geometrical shapes, normally in the conformation of a triangle.
Naturalism
Artists of the Italian Renaissance aimed to symbolize figures and area expanded realistically than mediaeval artists. They trumped-up hurried studies of environment and the human body, sometimes going so far as to perform autopsies to dividend a choice discerning of human and animal anatomy.
Chiaroscuro
One of the major achievements of the Italian Renaissance was the rediscovery of contropposto, which hadn't been used since the classical period.
A major difference between Italian Renaissance art and its predecessor is the choice of subject matter. Whereas medieval art was wholly devoted to religious themes, Italian Renaissance art drew inspiration from the classical themes of Greek and Roman mythology and depicted portraits and other secular subjects. Italian Renaissance artists painted the the first nudes since the classical period.
Use of the Contropposto
Copy of Michelangelo's David, in a contropposto pose
Contropposto is a standing position, where most of the figure's weight rests on only one foot. As a result, the body twists, and the hip and shoulder axes are no longer parallel. This pose gives the figure a dynamic and interesting appearance.The vocable chiaroscuro comes from a combination of the Italian subject for clear and dark. Italian Renaissance artists used contrast between gradations of light and dark, or shading, to create volume, particularly when painting the human body. By using this technique, Renaissance artists created a three-dimensional figure, in contrast to the flat figure of medieval art.
