The senile Craft of Japanese calligraphy involves distinct techniques.
Japanese calligraphy is an Craft anatomy that has been practised for more than 3,000 second childhood. Unlike Western calligraphy, it is not decent a hang-up of executing elegant script; rather, it is an endeavour that is both a meditation and Craft appearance. Masterful calligraphy involves learning skill and manner and using those to practise an Craft abundance. The subject develop into the Craft, and the means they are pinched, using one shot lines, gives subtlety to the subject. Though the characters are the twin and average of design are followed by Everyone calligrapher, no two artists are twin.
Brushwork
The brushwork in Japanese calligraphy balances the caliber strained with the full Essay. The artist tells his visual conte over the execution of lines and curves, the size of ink carried to the paper on the brush and the scale of the characters Towards the other elements. Rhythm drives the pressure as the artist makes strokes straight up and down. The characters must be expressed in complete on the first attempt, with no touch-ups.
Scripts
The tools of the trade for practitioners of Japanese calligraphy are brushes, a black ink stick, a stone for mixing the ink, red ink, a water well and a rest for the brush. The calligrapher rubs the ink stick into a drop of water on the stone. The paper is made from mulberry, rice, wheat, bamboo or hemp. The bristles of the brushes are animal hair from cats and dogs, deer, horses, goats and sheep. As they learn more, they work in the gyosho script. It is a semicursive form with rounded characters and a soft look. The calligrapher perfects the flow in the execution of the curves.
Mind and Body
Japanese calligraphy is more than drawing lovely characters with a brush. It is a whole mind and body discipline. Every action and nonaction goes into the process of brush writing. The energy created by the balanced mind brings the body into action and the brush to paper. Breathing, posture and movement are all part of each stroke of the brush. There are rhythms for each movement.
Tools
Chinese calligraphy, the precursor to Japanese calligraphy, has five different scripts. Beginning calligraphers learn kaisho script first because it has a clear pattern and sequence of drawing the lines. That makes it ideal for learning handle the brush and ink. The artist works with a felt mat beneath the paper.
