Contents are written underneath the stave in traditional classical code.
3. Decide how long each note will be held for, with regard to the beat or pulse of the music. This will determine the rhythm value of each note. There are many ways to turn a conversation into music---use your attitude and corner lively.
Instructions
1. Decide if the consultation Testament be sung to a pitch (or several pitches), or whether it will be spoken in an unpitched style. When people sing, the notes they use---which may move upward and/or downward in a melody---are pitches. When people speak or rap, these are unpitched notes.
2. Write down the pitches of the notes you want to use on the musical stave of your manuscript paper. Represent this sound with an "x" instead of a conventional note head on the stave if the notes are to be unpitched. Write the word underneath the pitch, pitches or unpitched note it will be sung with. Make sure that each syllable of the word is lined up directly underneath the note you want it sung with, and if the word is to be repeated, write in these repetitions.
Composing measure can be accessible or galling, on the other hand regularly a caring starting aim is to border your options and create within strict parameters. Using a unmarried discussion and turning it into piece narrows your options in terms of data (the colloquy) and and instrumentation, as the colloquy Testament admit to be spoken or sung by a human race. Wound up the dotage, many pieces of orchestration or sections of songs corner been based on a unmarried word---an excuse would be the refrain to "Why" by Scotch singer Annie Lennox. Here the locution "why" is repeated melodically over a changing chord sequence. Draw each note according to the rhythm you want it to be sung or spoken in.
4. Add extra elements if you wish. Change the musical dynamic of your composition by singing or speaking it strongly or softly, or by transitioning from strong to soft. Add accompanying instruments to the spoken or sung part that you have written. Add extra singers or speakers to create harmony if different pitches are used. Add rhythmic counterpoint if the singers are not in unison. Experiment!
