As mankind, we may peep hundreds of thousands of faces over the succession of a vitality. We are naturally touchy to minor variations in Everyone face of each person we be versed, so that Everyone male may be solitary and recognizable. Picture bodies can be a correct defiance thanks to yet insufficient mistakes dance elsewhere as big flaws to those cats who discriminate the passage. Noted humans are an yet bigger defiance considering whether the face is stressed incorrectly, its flaws are bright to a yet wider audience.
Instructions
1. Choose your words. Although you should not clench yourself to low expectations, you should assume that you Testament allure a flawed carbon copy on account of you are a human and you can't be absolute. There are two methods you can appropriateness to counteract this issue.
Some faces are so great hackneyed that they are allying icons--trying to attract them accurately may seem almost impossible, owing to we hog been exposed to their angel so usually that almost any reproduction of their face Testament seem amateur. You may treasure trove that you surface less power to constitute a recognizable figure provided you choose someone less well-known.
Alternatively, whether you choose the face of a celebrity with an lucid and distinctive feature (Marilyn Monroe's glamour location or Bob Marley's dreads), that naked truth Testament donkeywork to your avail. The distinctive attribute, whatever it is, serves as a gateway to your occupation, influential the viewer to conjecture that they peep the workman you hog stressed.
2. Do illustration wherever you feeling comfortable, however begin with outlines only--no shading.
If you are drawing the face only, you may wish to begin at one eye and use that eye as a reference point for the location of the other features. It is important that this is the first time this person has seen your drawing--anyone who has watched the drawing in its various states of creation may have a skewed or biased perspective. If your chosen critic recognizes the subject of your drawing without prompting from you, you have at least partially succeeded. Ask your critic how you can improve the drawing and where you think the drawing may be incorrect.
The nose will be centered beneath the two eyes, on a vertical axis in the middle of the face. The mouth will fall on a horizontal axis beneath the nose.
In this way, using each new element of the face as a point of reference for the next element you place on the face, you should build the features of the face and body.
3. Step back from the drawing and give yourself some time away while you work on other projects. When you return to the drawing, you should have a clear perspective on whether or not you're on the right track.
4. Shade and add details. For features like the hair, do not make each individual hair with your pencil--treat the hair as a single entity. To create the effect of hair, pick out clumps of strands or individual strands to draw.
5. Take more time away from your drawing and return after you have had time to forget what it looks like. When you return, your mistakes should jump out instantly. Maybe an eye is not lined up perfectly, maybe the body is shortened or hands are too large. If you find yourself certain there is a mistake but not sure what it is, try turning the drawing and the photograph you are drawing from upside down. Hold them side by side and flick your eyes back and forth between the two. Where do you see variations? Where does your drawing differ from the photograph?
6. Make changes to the drawing while it is upside down. Turn the drawing right side up and study again. Make more changes as necessary.
7. Find someone to supply constructive criticism of your drawing. This should be someone that you trust to tell you the truth, and not someone who will shield you from their true thoughts for the sake of making you feel good about your work. Ideally, this will be someone with a background in art who can identify where your drawing is right and where it is wrong. People who have no skill in art may be able to recognize that the face has flaws but may have no way of identifying what those flaws are.
Present the drawing to this person without comment on the subject. For instance, if you start with the left eye, you know that the right eye will be straight across the face. Pretend there is an invisible line (or draw a real line, very lightly) from the inside corner of the eye that you have already drawn to the inside corner of the eye you will draw. The distance between the two eyes will be approximately the width of one single eye.
Thank your critic and accept the input graciously.
8. Use what you have learned from your critic to make improvements to your drawing.
